{"id":953,"date":"2015-10-11T15:11:19","date_gmt":"2015-10-11T14:11:19","guid":{"rendered":"http:\/\/tableauxdisparus.fr\/?page_id=953"},"modified":"2016-12-12T14:09:40","modified_gmt":"2016-12-12T13:09:40","slug":"picasso-le-roi-et-la-reine","status":"publish","type":"page","link":"https:\/\/tableauxdisparus.fr\/?page_id=953","title":{"rendered":"Picasso, Pablo (1881 &#8211; 1973)"},"content":{"rendered":"<h2><strong><em>Le Roi et la Reine, <\/em><\/strong><strong>1956, dessin extrait du film d\u2019Henri-Georges Clouzot<em>, Le Myst\u00e8re Picasso<\/em><\/strong><\/h2>\n<figure id=\"attachment_849\" aria-describedby=\"caption-attachment-849\" style=\"width: 401px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/Picasso1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-849\" src=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/Picasso1.jpg?resize=401%2C301&#038;ssl=1\" alt=\"Picasso\" width=\"401\" height=\"301\" srcset=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/Picasso1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/Picasso1.jpg?w=320&amp;ssl=1 320w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/a><figcaption id=\"caption-attachment-849\" class=\"wp-caption-text\">L\u2019\u0153uvre de Picasso restitu\u00e9e.<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dans les studios de la <em>Victorine<\/em> \u00e0 Nice, Henri-Georges Clouzot filme en 1955 Picasso en train de travailler derri\u00e8re un papier qui absorbe l\u2019encre noire. Ainsi se trouve enregistr\u00e9e l\u2019ex\u00e9cution du dessin apr\u00e8s que Picasso eut mis au point dans des croquis la structure de sa composition. Le but \u00e9tait de montrer l\u2019artiste \u00e0 l\u2019\u0153uvre, avec ses doutes, ses h\u00e9sitations, ses erreurs, ses r\u00e9ussites dans son travail de cr\u00e9ation.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 L\u2019\u0153uvre fut d\u00e9lib\u00e9r\u00e9ment d\u00e9truite par l\u2019artiste.<\/p>\n<p style=\"text-align: justify;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Il s\u2019agit pour Picasso d\u2019effectuer une animation de surfaces par les motifs lin\u00e9aires r\u00e9p\u00e9t\u00e9s compris dans les limites de figures plus ou moins g\u00e9om\u00e9triques. Notre \u0153il est s\u00e9duit par ce jeu formel sans port\u00e9e v\u00e9ritable. Deux visages se font face. Le num\u00e9ro est parfaitement au point \u00ab\u00a0comme une prouesse de music-hall ex\u00e9cut\u00e9e \u00e0 la minute, comme si la c\u00e9l\u00e9rit\u00e9 avait son importance.\u00a0\u00bb Mais le myst\u00e8re du processus cr\u00e9ateur de Picasso demeure aussi imp\u00e9n\u00e9trable qu\u2019auparavant.<\/p>\n<figure id=\"attachment_913\" aria-describedby=\"caption-attachment-913\" style=\"width: 395px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/CLOUZOT.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-913\" src=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/CLOUZOT.jpg?resize=395%2C402&#038;ssl=1\" alt=\"CLOUZOT\" width=\"395\" height=\"402\" srcset=\"https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/CLOUZOT.jpg?resize=295%2C300&amp;ssl=1 295w, https:\/\/i0.wp.com\/tableauxdisparus.fr\/wp-content\/uploads\/2015\/10\/CLOUZOT.jpg?w=315&amp;ssl=1 315w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/a><figcaption id=\"caption-attachment-913\" class=\"wp-caption-text\">Picasso et Clouzot lors du tournage du film <em>Le Myst\u00e8re Picasso<\/em>.<\/figcaption><\/figure>\n<p style=\"text-align: right;\">\u00a0(c) Daniel Lagoutte<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Roi et la Reine, 1956, dessin extrait du film d\u2019Henri-Georges Clouzot, Le Myst\u00e8re Picasso \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dans les studios de la Victorine \u00e0 Nice, Henri-Georges Clouzot filme en 1955 Picasso en train de travailler derri\u00e8re un papier qui absorbe l\u2019encre noire. Ainsi se trouve enregistr\u00e9e l\u2019ex\u00e9cution du dessin apr\u00e8s que Picasso eut mis au point &hellip; <a href=\"https:\/\/tableauxdisparus.fr\/?page_id=953\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Picasso, Pablo (1881 &#8211; 1973)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-953","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/pages\/953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=953"}],"version-history":[{"count":5,"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/pages\/953\/revisions"}],"predecessor-version":[{"id":1522,"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=\/wp\/v2\/pages\/953\/revisions\/1522"}],"wp:attachment":[{"href":"https:\/\/tableauxdisparus.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}